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A.M. Gorky Institute
of World Literature
of the Russian Academy of Sciences

IWL RAS Publishing

A.M. Gorky Institute of World Literature
of the Russian Academy of Sciences

 IWL RAS

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  • Classification – name: Literary studies
  • Author: Cecilia Benassi
  • Pages: 66-109
  • Publisher: A.M. Gorky Institute of World Literature of the Russian Academy of Sciences (IWL RAS Publ.)
  • Rights – description: Creative Commons Attribution-NoDerivatives 4.0 (СС BY-ND)
  • Rights – URL: Visit Website
  • Language of the publication: Russian
  • Type of document: Research Article
  • Collection: The Antinomic Nature of Russian Modernism Poetics and Modern Humanities Thought
  • DOI: https://doi.org/10.22455/978-5-9208-0875-2-66-109
  • EDN:

    https://elibrary.ru/ASVFPE

  • Year of publication: 2026
  • Place of publication: Moscow
  • PDF

  • Benassi, C. “Antinomy, Symbol and Sophia: Toward an Integral Understanding of P. Florensky.” Antinomichnost’ poetiki russkogo modernizma i sovremennaia gumanitarnaia mysl’ [The Antinomic Nature of Russian Modernism Poetics and Modern Humanities Thought], ex. ed. Svetlana V. Fedotova. Moscow, IWL RAS Publ., 2026, pp. 66–109. (In Russian) 1 Electronic Optical Disc. Text: Electronic. https://doi.org/10.22455/978-5-9208-0875-2-66-109

 Information about the author: 

Cecilia Benassi, PhD student, University LUMSA (Free University of Maria Ss. Assunta of Rome), Borgo S. Angelo St., 13, 00193 Rome, Italy.

E-mail: This email address is being protected from spambots. You need JavaScript enabled to view it.

Abstract:

This article examines the concept of antinomy in the philosophy of Pavel Florensky within the broader context of early twentieth-century Russian religious modernism. The study takes as its starting point the lesser-known notes of Vyacheslav Ivanov written during the debates surrounding The Pillar and Ground of the Truth, particularly in response to the critique advanced by Evgeny Trubetskoy. Through a reconstruction of this controversy, the philosophical and theological significance of antinomy emerges as a principle shaping the nature of truth, reason, and symbol. The article then explores the mathematical and logical horizon of Florensky’s thought, highlighting his engagement with non-classical models of reasoning and symbolic methodology. Within this framework, the interrelation of antinomy, symbol and Sophiology is interpreted as constitutive of a unified “concrete metaphysics”, in which contradiction is not annulled but integrated into a dynamic and relational vision of reality. Finally, the study suggests that Florensky’s antinomic principle culminates in a personalist horizon: truth is not merely a structural feature of reality but becomes embodied in living symbols, pointing toward the personalization of antinomy within the concrete spiritual experience of the human subject.

  • Keywords: Florensky, Ivanov, antinomy, sophiology, symbol