The Instrumentarium of Theoretical Poetics (S.N. Broytman, M.N. Darvin, N.D. Tamarchenko): Genre Analysis and the Antinomic Structure of Symbolist Poetry Books

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Classification – name: Literary studies
Author: Svetlana S. Vorontsova
Pages: 259-280
Publisher: A.M. Gorky Institute of World Literature of the Russian Academy of Sciences (IWL RAS Publ.)
Rights – description: Creative Commons Attribution-NoDerivatives 4.0 (СС BY-ND)
Rights – URL: Visit Website
Language of the publication: Russian
Type of document: Research Article
Collection: The Antinomic Nature of Russian Modernism Poetics and Modern Humanities Thought
DOI: https://doi.org/10.22455/978-5-9208-0875-2-259-280
EDN:
https://elibrary.ru/BNNWWP
Year of publication: 2026
Place of publication: Moscow
PDF
Vorontsova, S.S. “The Instrumentarium of Theoretical Poetics (S.N. Broytman, M.N. Darvin, N.D. Tamarchenko): Genre Analysis and the Antinomic Structure of Symbolist Poetry Books.” Antinomichnost’ poetiki russkogo modernizma i sovremennaia gumanitarnaia mysl’ [The Antinomic Nature of Russian Modernism Poetics and Modern Humanities Thought], ex. ed. Svetlana V. Fedotova. Moscow, IWL RAS Publ., 2026, pp. 259–280. (In Russian) 1 Electronic Optical Disc. Text: Electronic. https://doi.org/10.22455/978-5-9208-0875-2-259-280
Availability: The research was carried out at the A.M. Gorky Institute of World Literature, Russian Academy of Sciences, with the support of a grant from the Russian Science Foundation (RSF, project no. 24-18-00248, Available at: https://rscf.ru/project/24-18-00248/).

Information about the author:

Svetlana S. Vorontsova, postgraduate, A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, Povarskaya 25 a, 121069 Moscow, Russia.

ORCID ID: https://orcid.org/0009-0009-2268-4814

E-mail: This email address is being protected from spambots. You need JavaScript enabled to view it.

Abstract:

The article examines the concepts of S.N. Broytman, M.N. Darvin and N.D. Tamarchenko, who further developed M.M. Bakhtin’s ideas. S.N. Broytman investigated the subject structure of modernist lyric poetry through the categories of dialogism and «neosyncretism». M.N. Darvin develops the theory of cyclicity, defining the poetry book as a «super-genre unity», in which the interaction of individual texts («primary unities») gives rise to a new artistic quality («secondary unity»). N.D. Tamarchenko introduced the concept of the «internal measure of genre», which captures both the stable and variable features of genres under conditions of decanonization. The article examines how genre analysis, through the methodological instruments of theoretical poetics, transcends the level of individual lyrical works and enables the study of Symbolist poetry books as coherent artistic entities, constructed upon the antinomies of fragment and whole, tradition and innovation, individuality and universality.