F.M. Dostoevsky in Literary and Archival Sources of the Late 19th — the First Third of the 20th Century

Acknowledgments:

The reported study was funded by Russian Foundation for Basic Research (RFBR), project number 18-012-90027 (Dostoevsky), Not for Sale

About the editors:

Elena A. Andrushchenko — DSc in Philology, Professor, Leading Research Fellow, A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, Povarskaya 25a, 121069 Moscow, Russia.

ORCID ID: https://orcid.org/0000-0002-8260-4961 

E-mail: This email address is being protected from spambots. You need JavaScript enabled to view it.

Vera M. Vvedenskaya, Senior Researcher, А.М. Gorky Institute of World Literature of the Russian Academy of Sciences, Povarskaya 25 а, 121069 Moscow, Russia.

Mikhail V. Kozmenko, PhD in Philology, Senior Researcher, A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, Povarskaya 25 а, 121069 Moscow, Russia.

E-mail: This email address is being protected from spambots. You need JavaScript enabled to view it.

ORCID ID: https://orcid.org/0000-0002-1229-2210

Abstract: 

The articles of the collection are devoted to literary criticism about Dostoevsky during the Silver Age, the formation and first steps of Russian Dostoevsky studies in the 1910s — 1920s, and the comprehension of philosophical and psychological and psychiatric discourses about the writer of the 1890–1920s.

CONTENT

From the Compiling Editors

I

Elena A. Andrushchenko. D. Averkiev’s “A Brief Sketch of the Life and Writings of F.M. Dostoevsky” in the Context of Introductions to the Writer’s Collected Works

Ksenia V. Vorozhikhina. F.M. Dostoevsky on Vsechelovecheskoe and Vsechelovek: Origin and Reception

Anna F. Makarova. Reception of the Elements of Fyodor Dostoevsky’s World Conception in the Works of Nikolai Berdyaev 

Oksana A. Kravchenko. Tragedy as a Novel and Philosophy: Architectonics of the Tragic at Dostoevsky

Mikhail V. Kozmenko. Alexander Zakrzhevky as an Interpreter of Worldview Reflections of the “Dostoevsky Renaissance” Era

Tatiana S. Karpacheva. The Scientist We Lost: Nadezhda Lvova’s Literary and Critical Experience

Olga A. Bogdanova. Dostoevsky’s Petersburg in the Story by G.I. Chulkov “Autumn Mists” (1916)

Nataliya A. Drovaleva. V.Ya. Bryusov as a Scholar of Dostoyevsky: an Unfulfilled Intention 

Alexander L. Renansky. How the Russian Theater Discovered Dostoevsky: an Experience in Findings and Losses 

Tamara P. Batalova, Galina V. Fedianova. Discussion about F.M. Dostoevsky’s Novel “Demons” in Russian Criticism of 1918–1935 

Serge Rolet. The Leonid Grossman’s Ingenious Introduction to Dostoevsky’s Translation of Eugenie Grandet (“Academia”, 1935)

II

Vadim V. Polonsky. Dostoevsky through Western Optics: the Case of Knut Hamsun and not only 

Igor A. Ebanoidze. Nietzsche Reads Dostoevsky: Chronology and Reception Material 

Irina V. Dergacheva. Reception of Dostoevsky’s Artistic Heritage in the Works of Italian Writers at the Turn of the 19th–20th Centuries

Mariya V. Mikhaylova. The Peculiarities of Showing the Image of the Main Character in German and Italian Film Adaptations of the Literary Works of F.M. Dostoevsky of the End of the 19th – the First Third of the 20th Centuries

III

Rosa María Moreno Rodríguez, Natalia N. Arsentieva. “The Stress of Life” in the Work of Dostoevsky and Andreyev in the Light of the Neurophysiological Investigation

Application

Dm. Boldyrev. Dostoevsky’s Zosima and Ibsen’s Brand. Inspiration, life and faith. Preparation of the text and comments by V.M. Vvedenskaya and M.V. Kozmenko

N. Otverzhennyi. Stirner and Dostoevsky. Preparation of the text and comments by V.M. Vvedenskaya and M.V. Kozmenko

M.V. Kozmenko. “There are strange rapprochements...”: Two works about Dostoevsky

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