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A.M. Gorky Institute
of World Literature
of the Russian Academy of Sciences

IWL RAS Publishing

A.M. Gorky Institute of World Literature
of the Russian Academy of Sciences

 IWL RAS

Povarskaya 25A, bld. 1, 121069 Moscow, Russia

8-495-690-05-61

edition@imli.ru

iwl.ras.publishing@gmail.com

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Information about the author:

Anita B. Mozhaeva, PhD in Philology, Associate Professor at Foreign Literature Department of Maksim Gorky Institute of Literature and Creative Writing.

E-mail: This email address is being protected from spambots. You need JavaScript enabled to view it.

Abstract:

The essay probes into particularities of Fielding’s play “Tom Thumb and The Tragedy of Tragedies”, his parody of Restoration tragedy; the latter was very popular with the theatregoers of the time. The essay shows how the heterogeneous stylistic elements of the play get united into a complete whole. Fielding seemed to believe that in order to truthfully capture a reality within a creative work, one has not to go against artistic conventionality, but to lean on it. There was just one problem left: to keep up this dynamic balance he achieved.

  • Keywords: “Tom Thumb and The Tragedy of Tragedies”, reality and art within a creative work.

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