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A.M. Gorky Institute
of World Literature
of the Russian Academy of Sciences

IWL RAS Publishing

A.M. Gorky Institute of World Literature
of the Russian Academy of Sciences

 IWL RAS

Povarskaya 25A, bld. 1, 121069 Moscow, Russia

8-495-690-05-61

edition@imli.ru

iwl.ras.publishing@gmail.com

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Information about the author:

Larisa L. Shestakova, DSc in Philology, Associate Professor, Director of Research, The V.V. Vinogradov Russian Language Institute of the Russian Academy of Sciences, Volkhonka St., 18-2, 119019 Moscow, Russia.

ORCID ID: https://orcid.org/0000-0001-9585-9472

E-mail: This email address is being protected from spambots. You need JavaScript enabled to view it.

Anna S. Kuleva, PhD in Philology, Leading Research Fellow, The V.V. Vinogradov Russian Language Institute of the Russian Academy of Sciences, Volkhon- ka St., 18-2, 119019 Moscow, Russia.

ORCID ID: https://orcid.org/0000-0001-6536-3943

E-mail: This email address is being protected from spambots. You need JavaScript enabled to view it.

Abstract:

The “Dictionary of the Language of Russian Poetry (20th century)” gives an opportunity to take a closer look at Mayakovsky’s poetic language in the context of a certain epoch. The dictionary is a summary explanatory concordance, which contains poetic lines of ten outstanding poets of the Silver Age: I. Annensky, A. Akhmatova, A. Blok, S. Yesenin, M. Kuzmin, O. Mandelstam, V. Mayakovsky, B. Pasternak, V. Khlebnikov, M. Tsvetaeva. The dictionary not only presents a cross-section of the poetic usage of a certain era, but also gives it in a linguistically analyzed form, which makes the dictionary an informative source for both researchers and non-specialist readers. Cultural, encyclopedic, historical and other comments on illustrative contexts, along with the necessary linguistic information about the word, consists an important part of the dictionary. It was Mayakovsky who was the most attentive to the new realities of the era, such as advertising and cinema. The poet widely introduces new vocabulary into the poetic text (electric advertising, peretyazhka ‘banner’, film camera, cinematography ‘cinema / movie theater’, Sovkino), comprehends and evaluates these realities both positively, associating them with novelty or technical progress, and negatively, ironically.

  • Keywords: author’s lexicography, corpus, linguistic poetics, poetic language.

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