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A.M. Gorky Institute
of World Literature
of the Russian Academy of Sciences

IWL RAS Publishing

A.M. Gorky Institute of World Literature
of the Russian Academy of Sciences

 IWL RAS

Povarskaya 25A, bld. 1, 121069 Moscow, Russia

8-495-690-05-61

edition@imli.ru

iwl.ras.publishing@gmail.com

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About the author

Elena A. Osminina, DSc in Philology, Associate Professor, Professor of the Department of world culture, FSBEI HE Moscow State Linguistic University, 38 Ostozhenka st., 119034 Moscow, Russia.

E-mail: This email address is being protected from spambots. You need JavaScript enabled to view it.

ORCID ID: https://orcid.org/0000-0003-4990-7220 

Abstract

The article analyzes the image of the summer cottage (dacha) in the four essays (1925–1935) by V. Nikiforov-Volgin and in the epopee “Sun of the Dead” (1923) by I. Shmelev. The essays describe the summer cottages near the Narva Bay. Their abandonment is a sign, that the old Russian life, everyday life, is leaving modern Estonia. The epopee depicts the summer cottages of the “Professorial corner” near Alushta, devastated by the Red Terror in the Crimea. The image is animated, the fate of the cottage associated with the fate of its owner. The destruction aggregated to the size of the universe, becomes a sign of the victory of Chaos over the Cosmos.

  • Keywords: summer cottage, Shmelev, Nikiforov-Volgin, tradition, literature of Russian Diaspora.

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